IUPUI Campus Bulletin 2012-2014

Book Arts

• HER-A 204 The Visual Book (3 cr.) Exploration of the communicative possibilities of the book format through lecture, studio projects, and field trips. Introduction to letterpress, binding, and typographic concerns.

• HER-A 261 Introduction to Computer Imagery I (3 cr.) P: Foundation Program. An introductory course providing hands-on learning experiences in using the Macintosh computer and Adobe Photoshop, a pixel-based paint and image-editing software package, to create, scan, and manipulate images. A studio elective open to all Herron degree-seeking students with little or no computer experience who have completed the foundation year.

• HER-A 262 INTRO COMPUTER IMAGERY II (3 cr.) P: A261 or permission of instructor. A continuing course that extends the student’s abilities in using the Macintosh computer and Adobe Photoshop as a means of creative self-expression. A studio elective for all Herron degree-seeking students with the above prerequisites.

• HER-A 291 Bookbinding (3 cr.) A beginning course in bookbinding dealing with traditional bookbinding and box-building techniques. Students are instructed on use of tools and materials. Projects are designed to encourage exploration and experimentation of book structure.

• HER-G 206 Bookbinding (3 cr.) Introduction to traditional and non-traditional skills in bookbinding. Non-adhesive, experimental structures will be covered such as accordion, concertina, piano hinge and koptic binding as well as case binding, box making and slip cases. Goal is to develop the binding process as an expressive, visual language with attention to its tradition and contemporary presence as aesthetic medium.

• HER-G 209 PAPERMAKING (3 cr.) Introduction to western principles of making paper by hand. Skills in pulp technology, sheet formation, 2D and 3D applications will be developed, such as stenciling, pulp-spraying, casting, and integration into book structures. Goal is to apply skills to expressive, conceptual frameworks with attention to historic and contemporary context of papermaking.

• HER-G 310 The Printed Book (3 cr.) Integration of the print medium into the book structure. Development of prints as interactive structures and interdependence of multiple and three- and four-dimensional qualities of books. Skills in letterpress technology, type-high surface construction, bookbinding, and papermaking with attention to history and contemporary context of the book arts.

• HER-G 201 Etching I (3 cr.) P: Foundation Program. Beginning course in intaglio printmaking, which introduces students to etching, engraving, and drypoint techniques. Students are instructed in basic printing processes and in use of the presses.

• HER-G 202 Lithography I (3 cr.) P: Foundation Program. Beginning course in lithography dealing with basic techniques of black-and-white and color printing. Includes specific lectures in litho technology, materials, and application.

• HER-G 203 Silkscreen Printing I (3 cr.) P: Foundation Program. Design and drawing for silkscreen processes, construction of equipment, and methods of making stencils (including photo stencils). Printing in black and white and in color.

• HER-G 205 Monotype/Woodcut (3 cr.) P: Foundation Program. Beginning course in monotype and woodcut. Students learn traditional and experimental approaches to relief printmaking. Students are instructed on use of tools and materials and basic printing processes. Printing is in color and black and white.

• HER-G 208 LETTERPRESS TYPESETTING (3 cr.) Introduction to setting and printing text by hand on the letterpress. Historic traditions such as setting lead and wooden typed and carved blocks will be combined with contemporary digital text and image appropriation through photo-polymer plates. Goal is to develop typ, print technology, and tradition into expressive visual frameworks.

• HER-G 301 Etching II (3 cr.) P: D201, D202, G201, G202. An extensive introduction to color printing processes in etching is provided at the beginning of the course. Students are required to do at least a part of their work in color. Other etching techniques not covered in G201 will also be presented.

• HER-G 302 Lithography II (3 cr.) P: D201-D202, G201-G202. Advanced study designed to extend students’ ability to use their technical knowledge as a means of expression. Experimental printing in color and black and white.

• HER-G 303 Etching III (3 cr.) P: D201, D202, G201, G202. An extensive introduction to color printing processes in etching is provided at the beginning of the course. Students are required to do at least a part of their work in color. Other etching techniques not covered in G201 will also be presented.

• HER-G 304 Lithography III (3 cr.) P: D201-D202, G201-G202. Advanced study designed to extend students’ ability to use their technical knowledge as a means of expression. Experimental printing in color and black and white.

• HER-G 305 Photo Processes for Printmaking I (3 cr.) P: G201-G202, K201-K202, and/or permission of the instructor. C: Enrollment in a 300-, 400-, or 500-level printmaking course. Introduction to the use of light-sensitive materials in printmaking processes. Involvement with nonsilver photographic processes such as kallitype, photoetching, photo-lithography (using halftone and contact materials), photo silkscreen, and gum printing. Color separation principles for printmaking processes.

• HER-G 306 Photo Processes for Printmaking II (3 cr.) P: G201-G202, K201-K202, and/or permission of the instructor. C: Enrollment in a 300-, 400-, or 500-level printmaking course. Introduction to the use of light-sensitive materials in printmaking processes. Involvement with nonsilver photographic processes such as kallitype, photoetching, photo-lithography (using halftone and contact materials), photo silkscreen, and gum printing. Color separation principles for printmaking processes.

• HER-G 307 Silkscreen Printing II (3 cr.) P: Foundation Program. The advanced process of silkscreen printing with the incorporation of digital printing processes. Printing in large format with color will be covered. Further Development of ideas and concepts in relation to the screenprinting process will be emphasized in this class.

• HER-G 309 Monotype/Woodcut II (3 cr.) P: G205. Advanced study of monotype techniques, both traditional and nontraditional. Emphasis is placed on students gaining control of monotype process in order to accurately express their artistic vision. Students are encouraged to explore their individual goals and research into the various media available.

• HER-G 401 Printmaking III Etching (3-6 cr.) A continuation of advanced processes in intaglio printmaking with demonstrations and experimentation with materials and techniques, including computer-assisted approaches. Individual and group critiques and discussions promote ongoing development of images and concepts.

• HER-G 402 Printmaking IV Etching (3-6 cr.) A continuation of advanced processes in intaglio printmaking with demonstrations and experimentation with materials and techniques, including computer-assisted approaches. Individual and group critiques and discussions promote ongoing development of images and concepts.

• HER-G 403 Individual Research in Printmaking I (3 cr.) Offered in conjunction with G401-G402 only. Research devoted to the student’s own projects in printmaking.

• HER-G 404 Individual Research in Printmaking II (3 cr.) Offered in conjunction with G401-G402 only. Research devoted to the student’s own projects in printmaking.

• HER-G 501 Printmaking (3 cr.) P: Graduate-level printmaking. Visual research on a highly individual level with personal criticism by the instructor.

• HER-G 502 Printmaking (3 cr.) P: Graduate-level printmaking. Visual research on a highly individual level with personal criticism by the instructor.

• HER-G 510 Studio Emphasis I: Materials and Methods in Printmaking (3 cr.) P: M.F.A. student or consent of instructor. Introductory graduate course in the exploration of traditional and contemporary materials, methodologies, and concepts used in printmaking.

• HER-G 520 Studio Emphasis II: Theory into Practice in Printmaking (3 cr.) P: Studio Emphasis I: Printmaking. Study of the integration of studio practices in printmaking within the context of professional engagement.

• HER-G 560 Studio Emphasis III: Advanced Practices in Printmaking (3 cr.) P: Studio Emphasis II: Printmaking. Advanced exploration of printmaking, including studio practices and professional development.