IUPUI Campus Bulletin 2014-2016

Concentrations

Creative Writing

• ENG-W 206 Introduction to Creative Writing (3 cr.) An introduction to the techniques and principles of creative writing. Written assignments, independent work, and workshop discussions of the fundamentals of fiction, poetry, and drama. This course may be used as a prerequisite for all 300-level courses in creative writing.  PUL=1A

• ENG-W 207 Introduction to Fiction Writing (3 cr.) An introduction to the techniques and principles of fiction writing. Written assignments, workshop discussions of student work in progress, seminar study of classic and contemporary examples of the genre. This course may be used as a prerequisite for ENG W301, ENG W302,or ENG W305.  This course is recommended for English majors pursuing a concentration in creative writing.  PUL=1A

• ENG-W 208 Introduction to Poetry Writing (3 cr.) W208 offers students an introduction to the craft and practice of poetry writing: how to find subjects for writing; how to create images, similes, and metaphors; how to make rhyme sound natural; how to produce both metered and free-verse poetry. Part of the class will be a workshop in which students will learn to revise their poems and those of fellow students. This course can serve as a prerequisite for ENG W303 or ENG W305.  This course is recommended for English majors pursuing a concentration in creative writing.  PUL=1A

• ENG-W 280 Literary Editing and Publishing (3 cr.) P: Any literature course; ENG W206, ENG W207, or ENG W208. Offers theory and practice in the development of literary publications. Individual and group exercises and formal assignments will encourage the analysis and evaluation of poetry, fiction, and essays to develop students’ personal and professional aesthetics. An issue of IUPUI’s student literary magazine, genesis, will be edited during the semester.  PUL=2

• ENG-W 301 Writing Fiction (3 cr.) P: ENG W206 or ENG W207 or permission of the instructor. An intermediate course in the theory and practice of fiction writing with seminar study of relevant materials and criticism of student work in class and conference. May be repeated once for credit.  PUL=1A; RISE-Experiential Learning

• ENG-W 302 Screenwriting (3 cr.) P: ENG W206 or ENG W207, or permission of instructor. A practical course in basic techniques of writing for film and television. Covers the essentials of dramatic structure, story development, characterization and theme, scene construction, dialogue, and, briefly, the practicalities of working as a screenwriter today.  PUL=1A; Rise-Experiential Learning

• ENG-W 303 Writing Poetry (3 cr.) P: ENG W206 or ENG W208 or permission of the instructor. An intermediate course in the theory and practice of poetry writing with seminar study of relevant materials and criticism of student work in class and conference.  PUL=1A; RISE-Experiential Learning

• ENG-W 408 Creative Writing for Teachers (3 cr.) P: ENG W206, ENG W207, or ENG W208. Offers current and future teachers insights into the creative writing process, teaches them to think as writers do, suggests strategies for critiquing creative work, and provides guidance in developing creative writing curriculum.  PUL=1A

• ENG-W 305 Writing Creative Nonfiction (3 cr.) P: ENG W206, ENG W207, ENG W208, or permission of the instructor. An intermediate course in the theory and practice of creative nonfiction prose, with seminar study of relevant materials and workshop discussion of student work in progress.  PUL=1A; RISE-Experiential Learning

• ENG-W 401 Writing Fiction (3 cr.) P: ENG W301 Study and practice in the writing of fiction. Analysis of examples from contemporary literature accompanies class criticism and discussion. May be repeated once for credit.  PUL=1A; RISE-Experiential Learning

• ENG-W 403 Advanced Poetry Writing (3 cr.) P: ENG W303 Study and practice in the writing of poetry. Analysis of examples from contemporary poets accompanies class criticism and discussion.  PUL=1A; RISE-Experiential Learning

• ENG-W 411 Directed Writing (1-3 cr.) P: Consent of instructor.

  Individual projects determined in consultation with instructor. Credit varies with scope of project. May be repeated once for credit.  PUL=1A

• ENG-W 423 Genre Fiction: Science Fiction and Fantasy (3 cr.) P: ENG W301

  This course in speculative fiction is designed for advanced creative writers.  It examines world building, plot development, and focuses on character development.  At course end, students will have a publishable story with a query letter.  PUL=1A

• ENG-W 407 Advanced Creative Nonfiction Writing (3 cr.) P: ENG W305 An advanced workshop in the craft of creative nonfiction, with special attention given to defining the genre and its craft. PUL=1A  RISE-Experiential Learning

Film Studies (FILM)

• FILM-C 292 An Introduction to Film (3 cr.) Nature of film technique and film language; analysis of specific films; major historical, theoretical, and critical developments in film and film study from the beginnings of cinema to the present. PUL=3

• FILM-C 390 The Film and Society: Topics (3 cr.) Film and politics; race and gender; social influences of the cinema; rise of the film industry. May be repeated once with different topic. PUL=4

• FILM-C 391 The Film: Theory and Aesthetics (3 cr.) Film form and techniques; aesthetic and critical theories of the cinema; relationships between film movements and literary and artistic movements; relationships of word and image; analysis of significant motion pictures. PUL=4

• FILM-C 392 Genre Study in Film (3 cr.) Problems of definition; the evolution of film genres such as criminal or social drama, comedy, the western, science fiction, horror, or documentary film; themes, subject matter, conventions, and iconography peculiar to given genres; relationship of film genres to literary genres. Focus on one specific genre each time the course is offered. May be repeated once with different topic. PUL=3

• FILM-C 393 History of European and American Films I (3 cr.) C393 is a survey of the development of cinema during the period 1895-1926 (the silent film era). PUL=3

• FILM-C 394 History of European and American Films II (3 cr.) C394 is a survey of European and American cinema since 1927. Particular attention paid to representative work of leading filmmakers, emergence of film movements and development of national trends, growth of film industry, and impact of television. PUL=1C

• FILM-C 491 Authorship and Cinema (3 cr.) Study of the work of one or more film artists. Attention paid to the style, themes, and methods that make the filmmaker’s work unique. Filmmakers studied in the contexts of film traditions, ideologies, and industries that informed their work. May be repeated once with a different topic. PUL=4

• FILM-C 493 Film Adaptations of Literature (3 cr.) Analysis of the processes and problems involved in turning a literary work (novel, play, or poem) into a screenplay and then into a film. Close study of literary and film techniques and short exercises in adaptation. PUL=2

• ENG-W 260 Film Criticism (3 cr.) Viewing and critiquing current films, with emphasis on the quality of production and direction. Contemporary films are viewed; papers serve as a basis for discussion during class. Students will be expected to pay for their movie admissions. PUL=2

• FILM-C 350 Film Noir (3 cr.) Private detectives, femmes fatales, dark, shadowy criminal underworlds.  But wht, really, is Film Noir? A genre? A historical cycle? Film scholars don't agree.  Ironic noirs of th e1940's and 1950's lurk here alongside international examples, precursors, and contemporary neo-noirs.   PUL=3

• FILM-C 351 Musicals (3 cr.) A study of the genre from the dawn of "talkies" to the Glee era; the film musical in its folk, fairy tale, and show business variants; the "organic" musical; Busby Berkeley; Astaire and Rogers; the Freed Unit at M-G-M; Broadway adaptations; revisionist musicals; revival in the 2000s: All will be covered.  PUL=3

• FILM-C 352 Biopics (3 cr.)

  We will study one of the richest, but most underappreciated of film genres, the film biography, better known as the biopic. You will learn to discuss biography as a genre; to assess mythmaking in the telling of lives; to analyze the ways that biographical films work cinematically; and to see how, as a dynamic form, the biopic continues to produce portraits of what it means to distinguish oneself in the world. PUL=1C

• FILM-C 361 Hollywood Studio Era 1930-1949 (3 cr.)

  Hollywood's "Golden Age"; "pre-Code" era; genres, auteurs, and stars; "House style"; "mass audience" when that meant something; the House Un-American Activities Committee and the Hollywood Ten; the U.S. vs. Paramount decision and other factors that ended the era. PUL=4

• FILM-C 362 Hollywood in the 1950s (3 cr.)

  This course, the second in a series on the history of the sound film, concerns one of the most critical periods of change both in American life and in the American film as art and entertainment. The late forties and early fifties in America brought the end of two decades of depression and world war and the coming of prosperity, suburbs, the baby boom, the Cold War, television, and the first stirrings of the Civil Rights movement. For Hollywood, the era forced the end of the unified mass audience and with it the breakup of the old powerful studios. Now came the (first) age of the blockbuster, of widescreen and stereophonic sound, of youth films, and Method acting, of a measure of psychological realism, and a new division, however, artificial, between art and entertainment films. The fifties are a fascinating period of reinvention and transition. Television, the blacklist, widescreen, Method acting, psychological realism, the decline of the Production Code, the influence of art cinema; iconic films from Sunset Blvd. to Some Like It Hot, Singin' in the Rain to The Searchers, Rebel Without a Cause to On the Waterfront. PUL=1C 

• FILM-C 380 French Cinema (3 cr.)

  Arguably the world's most fervid and versatile film culture; the first public film showings; the first fantasy/science fiction films; the wide-screen lens; the idea of film noir, the Auteur Theory, the New Wave; philosophy and aesthetics, culture and politics; the cross-pollenation between French and U.S. cinemas. PUL=2.

Language and Linguistics

• ENG-Z 206 Introduction to Language Use (3 cr.)

  An introduction to how we use language in our lives. This course explores how and why language varies between different groups and places, as well as the role of context in language meaning and interpretation. Insights are applied to understanding the impact of literature, film, writing, and other disciplines. PUL=4

• ENG-Z 301 History of the English Language (3 cr.) P: ENG Z205 is recommended. A study of the origins of the English language, focusing on how and why English has changed over time. Topics include: the process of language standardization and its impact on education and literacy, relationships between language and literature, and the changing role of English around the world. PUL=3

• ENG-Z 302 Understanding Language Structure: Syntax (3 cr.) P: ENG Z205 is recommended.

  An introduction to how language is organized at the sentence level, focusing on what it means to know how to produce and understand grammatical sentences. The acquition of syntax by children learning their first language and non-native speakers learning a second language will be studied.  PUL=2

• ENG-Z 432 Second Language Acquisition (3 cr.) P: ENG Z205 An introduction to a broad range of issues in the field of second language acquisition, providing the student with an overview of the most important approaches to the fundamental questions of how people learn a second language. Provides students with basic knowledge of theories of second language acquisition and an understanding of how theoretical perspectives inform practical application. PUL=2; RISE=Research

• ENG-Z 441 Materials Preparation for ESL Instruction (3 cr.) P: ENG Z205 Students learn about materials preparation, syllabus design, and test preparation by applying a variety of theories to books and other ESL (English as a Second Language) teaching devices (e.g., ESL tapes, videotapes, and software programs) in order to evaluate their usefulness. Students will learn to evaluate ESL materials for adequacy. PUL=4; RISE=Experiential Learning

• ENG-Z 104 Language in our World (3 cr.) This course explores the power and importance of language in our everyday lives and looks at how language unites and separates us culturally, politically, socially, and psychologically. PUL=5

• ENG-Z 204 Rhetorical Issues in Grammar and Usage (3 cr.) An introduction to English grammar and usage that studies the rhetorical impact of grammatical structures (such as noun phrases, prepositional phrases, and different sentence patterns). This course considers language trends and issues, the role of correctness in discourse communities, and the relations between writing in context and descriptive and prescriptive grammars and usage guides. PUL=3

• ENG-Z 205 Introduction to the English Language (3 cr.) This course is an introduction to how language, and English in particular, is structured, including soundS (phonetics and phonology), words (morphology), sentences (syntax) and meaning (semantics). Discussions focus on examples from everyday language and the application of these basic concepts to real world contexts, including language teaching and learning. PUL=2

• ENG-Z 310 Language in Context: Sociolinguistics (3 cr.) P: ENG Z206 is recommended. This course explores the relationships among language, society, and culture. The interplay between social factors such as age, sex, status, class, and education and language use are discussed within the framework of various theoretical and methodological approaches. Perceptions of several varieties of English are investigated. PUL=4; RISE=Research

• ENG-Z 434 Introduction to Teaching English as a Second Language (3 cr.) P: ENG Z432 or consent of instructor. The course examines recent theories of teaching English as a second or foreign language. Students will get a chance to examine theories and methods and develop knowledge of linguistic resources available to new and/or practicing teachers.  PUL=3; RISE=Experiential Learning

• ENG-Z 303 Understanding Language Meaning: Semantics (3 cr.)

  Examines the question of meaning, with a focus on the English language.  After introducing various approaches to the study of meaning, the course examines how linguistic semantics analyzes such concepts as entities, events, time, space, possibility, and negation, and how these relate to human culture and cognition.  PUL- 2

• ENG-Z 405 Topics in the Study of Language (3 cr.)

  This is a variable topics course in the study of the English Language.  PUL=2

Literary Study

• ENG-L 105 Appreciation of Literature (3 cr.) Stresses the enjoyment and humane values of literature. It will provide workshop experiences and programmed exercises as well as experience in listening to and studying visual adaptations of poems, novels, and dramas. PUL=2

• ENG-L 115 Literature for Today (3 cr.) P: W131. Poems, dramas, and narratives pertinent to concerns of our times: e.g., works concerning values of the individual and society, problems of humanism in the modern world, and conflicts of freedom and order. PUL=2

• ENG-L 202 Literary Interpretation (3 cr.) Close analysis of representative texts (poetry, drama, fiction) designed to develop the art of lively, responsible reading through class discussion and writing of papers. Attention to literary design and critical method. PUL=2

• ENG-L 203 Introduction to Drama (3 cr.) Representative significant plays to acquaint students with characteristics of drama as a type of literature. Readings may include plays from several ages and countries. PUL=2

• ENG-L 204 Introduction to Fiction (3 cr.) Representative works of fiction; structural technique in the novel, theories and kinds of fiction, and thematic scope of the novel. Readings may include novels and short stories from several ages and countries. PUL=2

• ENG-L 205 Introduction to Poetry (3 cr.) Kinds, conventions, and elements of poetry in a selection of poems from several historical periods. PUL=2

• ENG-L 207 Women and Literature (3 cr.) Issues and approaches to critical study of women writers in British and American literature. PUL=5

• ENG-L 208 Topics in English and American Literature and Culture (3 cr.) Selected works of English and/or American literature in relation to a single cultural problem or theme. Topics vary from semester to semester. May be repeated once for credit. PUL=5

• ENG-L 213 Literary Masterpieces I (3 cr.) Students in L213 study major western literary works from the ancient world to the Renaissance.  This course provides students with an opportunity to become familiar with great works that are foundational for modern Western culture.  These ancient works still have an up-to-date impact on our lives since our core beliefs are still built, to a larger extent than is often realized, on a foundation established by these ancient, medieval, and Renaissance classics, including works of Homer, Sophocles, Virgil, Dante, and others.  Emphasis will be on making the literature accessible and interesting, relating it to historical events and contexts, and working on important reading and writing skills. PUL=2

• ENG-L 214 Literary Masterpieces II (3 cr.) L214 covers major Western literary works from the Renaissance to the twentieth century.  Texts are selected from a variety of genres and nations, with an emphasis on works that have been particularly famous and influential.  Works by Cervantes, Voltaire, Flaubert, Dostoevsky, Mann, Ibsen, Kafka, and others are typically included.  Emphasis will be on making the literature accessible and interesting, relating it to historical events and contexts, and working on important reading and writing skills.  Non-English works will be read in English translation. PUL=2

• ENG-L 220 Introduction to Shakespeare (3 cr.) Rapid reading of at least a dozen major plays and poems. May not be taken concurrently with L315. PUL=2

• ENG-L 245 Introduction to Caribbean Literature (3 cr.) Introduces students who have a limited knowledge of the Caribbean region to the basic themes of Caribbean literature. Examines the ways in which Caribbean writers present a colonial past and its effect on Caribbean culture in their attempts to “write back” to imperialist thought. PUL=5

• ENG-L 301 Critical and Historical Survey of English Literature I (3 cr.) Representative selections with emphasis on major writers from the beginnings to Swift and Pope. PUL=2

• ENG-L 302 Critical and Historical Survey of English Literature II (3 cr.) Representative selections with emphasis on major writers from the rise of romanticism to the present. PUL=2

• ENG-L 305 Chaucer (3 cr.) Chaucer’s works with special emphasis on The Canterbury Tales. PUL=4

• ENG-L 315 Major Plays of Shakespeare (3 cr.) A close reading of a representative selection of Shakespeare’s major plays. PUL=4

• ENG-L 348 Nineteenth-Century British Fiction (3 cr.) Forms, techniques, and theories of fiction as exemplified by such writers as Scott, Dickens, Eliot, and Hardy. PUL=2

• ENG-L 351 Critical and Historical Study of American Literature I (3 cr.) American writers to 1865: Emerson, Hawthorne, Melville, Whitman, and two or three additional major writers. PUL=2

• ENG-L 352 Critical and Historical Study of American Literature II (3 cr.) American writers, 1865-1914: Twain, Dickinson, James, and two or three additional major writers.

• ENG-L 354 Critical and Historical Study of American Literature III (3 cr.) Study of modernist and contemporary American writers in various genres, 1914 to the present, including Frost, Stein, Faulkner, O’Connor, Baldwin, Morrison, and others. PUL=2

• ENG-L 355 American Novel: Cooper to Dreiser (3 cr.) Representative nineteenth-century American novels. PUL=2

• ENG-L 358 Twentieth-Century American Fiction (3 cr.) Study of major trends in American fiction since 1900, including such topics as experimentalism and the development of minority literatures. PUL=2

• ENG-L 363 American Drama (3 cr.) Main currents in American drama to the present. PUL=4

• ENG-L 365 Modern Drama: Continental (3 cr.) Special attention to Ibsen, Strindberg, Chekhov, Hauptmann, Pirandello, Brecht, and Sartre and to the theatre of the absurd. PUL=5

• ENG-L 366 Modern Drama: English, Irish, and American (3 cr.) Twentieth-century drama, from Bernard Shaw and Eugene O’Neill to Samuel Beckett, Harold Pinter, David Mamet, Marsha Norman, and August Wilson. PUL=4

• ENG-L 370 Black American Writing (3 cr.) A study of the major black American writers, with special emphasis on recent writing. PUL=5

• ENG-L 372 Contemporary American Fiction (3 cr.) Examination of representative American fiction since 1955 in its social, cultural, and historical contexts. Topics include such issues as the representation of truth in fiction, intertextuality, and the transgressions of genre boundaries. PUL=2

• ENG-L 373 Interdisciplinary Approaches to English and American Literature I (3 cr.) Social, political, and psychological studies in English and American literature. Topics may vary and include, for example, Freud and literature, responses to revolution, the literature of technology, and literature and colonialism. PUL=5

• ENG-L 374 Interdisciplinary Approaches to English and American Literature II (3 cr.) Social, political, and psychological studies in English and American literature. Topics may vary and include, for example, Freud and literature, responses to revolution, the literature of technology, and literature and colonialism. PUL=4

• ENG-L 376 Literature for Adolescents (3 cr.) An examination of the nature and scope of adolescent literature. Wide reading of contemporary literature, with emphasis on the value of selections for secondary school students and appropriate modes of study. PUL=2

• ENG-L 378 Studies in Women and Literature (3 cr.) British and American authors such as George Eliot or Gertrude Stein; groups of authors such as the Brontë sisters or recent women poets; or genres and modes such as autobiography, film, or criticism. Topics will vary by semester. PUL=5

• ENG-L 379 American Ethnic and Minority Literature (3 cr.) Analysis of literature by and about immigrants from diverse cultures as well as ethnic literature about groups such as African Americans, Appalachians, Hispanics, and Native Americans, from a historical and thematic perspective. PUL=5

• ENG-L 381 Recent Writing (3 cr.) Selected writers of contemporary significance. May include groups and movements (such as black writers, poets of projective verse, new regionalists, parajournalists and other experimenters in pop literature, folk writers, and distinctly ethnic writers); several recent novelists, poets, or critics; or any combination of groups. May be repeated once for credit by special arrangement with the Department of English. PUL=4

• ENG-L 382 Fiction of the Non-Western World (3 cr.) An in-depth study of selected narratives from the fiction of the non-Western world. Focus and selections vary from year to year. May be repeated once for credit. PUL=5

• ENG-L 385 Science Fiction (3 cr.) A survey of British and American science fiction from the nineteenth to the twentieth century with an emphasis on the latter. PUL=1C

• ENG-L 390 Children’s Literature (3 cr.) Historical and modern children’s books and selections from books. Designed to assist future teachers, parents, librarians, or others in selecting the best in children’s literature for each period of the child’s life. PUL=2

• ENG-L 406 Topics in African American Literature (3 cr.) Focuses on a particular genre, time period, or theme in African American literature. Topics may include twentieth-century African American women’s novels, black male identity in African American literature, or African American autobiography. May be repeated once for credit with different focus. PUL=5

• ENG-L 431 Topics in Literary Study (3 cr.) Study of characteristics and development of literary forms or modes (e.g., studies in narrative, studies in romanticism). Topics vary from year to year. May be repeated once for credit. PUL=5; RISE=R

• ENG-L 433 Conversations with Shakespeare (3 cr.) An interdisciplinary and intertextual study of Shakespeare’s work and its influence to the present day. Students will compare Shakespeare texts with latter-day novels, plays, poems, and films that allude to or incorporate some aspect of Shakespeare’s art. PUL=4

• ENG-L 440 Senior Seminar in English and American Literature (3 cr.) P: One 200-level and two 300-400-level literature courses. Detailed study of one or more major British and American writers or of one significant theme or form. Subject varies each semester. May be repeated once for credit. PUL=4

• ENG-L 478 Literature and Medicine (3 cr.) This course explores the medical world in literature and the arts, in popular culture, and through the institution of the hospital. (A junior/senior integrator course.) PUL=5

• ENG-L 495 Individual Readings in English (1-3 cr.) P: Consent of instructor and departmental chair. May be repeated once for credit. PUL=5

• ENG-L 357 Twentieth-Century American Poetry (3 cr.) Survey of modern and postmodern movements in historical context, including Imagism, Objectivism, and Formalism. PUL=4

• ENG-L 364 Native American Literature (3 cr.)

  A survey of traditional and modern literature by American Indians, especially of the high plains and southwest culture areas, with particular attention to the image of the Indian in both native and white literature.  PUL=5

• ENG-L 384 Studies in American Culture (3 cr.)

  Surveys the American cultural landscape, from topics in popular culture, like comics, to specific eras of literary production, like the Harlem Renaissance. May be repeated once for credit. PUL=5

Writing and Literacy

• ENG-W 210 Literacy and Public Life (3 cr.) An introduction to the uses of literacy in public and civic discourse, with connections made to theories of writing and professional prospects for writers; serves as the required gateway course for the Concentration in Writing and Literacy and as an exploration of this concentration for other English majors and students considering the possibility of an English major. PUL=4

• ENG-W 260 Film Criticism (3 cr.) Viewing and critiquing current films, with emphasis on the quality of production and direction. Contemporary films viewed; papers serve as a basis for discussion during class. Students will be expected to pay for their movie admissions. PUL=1A

• ENG-W 310 Language and the Study of Writing (3 cr.) A course about writing using linguistic perspectives. Some of the topics discussed are writing systems and their history, a comparison of speaking and writing, the analysis of texts and their structure, the writing process and its development, and orality and literacy. PUL=4; RISE=R

• ENG-W 313 The Art of Fact: Writing Nonfiction Prose (3 cr.) P: At least one 200-level writing course or excellent performance in W131 and/or W132 (contact the instructor if you are unsure of your readiness for this course). Students will read and analyze professional and student work as they prepare to practice the art of fact by combining the tools of a researcher with the craft of a novelist. The final portfolio includes a stylistic analysis of the student’s and others’ nonfiction works as well as two illustrated nonfiction texts based on the student’s primary and secondary research. PUL=4; RISE=R

• ENG-W 315 Writing for the Web (3 cr.) Introduces students to new forms of writing (beyond word processing and desktop publishing) made possible by computers—hypertext, electronic mail, and computer conferencing—and explores what impact these new forms have on literacy skills for writers and readers of such computer-delivered texts. PUL=1A; RISE=S

• ENG-W 331 Business and Administrative Writing (3 cr.) Instruction and practice in writing for business, government, the professions, and the nonprofit sector. The course emphasizes principles that can be applied in a wide variety of documents. PUL=1A

• ENG-W 365 Theories and Practices of Editing (3 cr.) Instruction and practice in the mechanical, stylistic, and substantive editing of English nonfiction prose, from a wide variety of genres and on a wide variety of subjects. PUL=3

• ENG-W 366 Written Englishes: Living Cultural Realities (3 cr.) Is standard written English fixed and immutable or a living language variety? This course explores the definition, history, and politics of standard written English, the influence of home and community languages, and the uses and representation of linguistic diversity in both fiction and nonfiction texts. PUL=5

• ENG-W 390 Topics in Writing (3 cr.) Topics will vary each time this course is offered, and the department will specify which area of the concentration in Writing and Literacy each offering will count toward. May be repeated once for credit. PUL=3; RISE=E

• ENG-W 400 Issues in Teaching Writing (3 cr.) Focuses on the content of rhetoric and composition and considers fundamental theoretical and practical issues in the teaching of writing. Reviews rhetorical and compositional principles that influence writing instruction, textbook selection, and curriculum development. PUL=3

• ENG-W 411 Directed Writing (1-3 cr.) P: Consent of instructor and department chair. Individual projects determined in consultation with instructor. Credit varies with scope of project. PUL=1A

• ENG-W 412 Literacy and Technology (3 cr.) Literacy and technology have multifaceted relationships with each other. This course explores the effects of technologies (ranging from clay tablets to the printing press to computers) on literate practices and the teaching of reading and writing. It prepares students to think critically about the possibilities and limitations associated with different technologies and their impact on literacy over time, and to analyze educational uses of technology connected with literacy. PUL=4

• ENG-W 426 Writing for Popular and Professional Publication (3 cr.) Offers experienced writers near the end of their academic careers the opportunity to apply their skills to the public writing of the workplace. Students work within a set of tasks common to organizational writing, gaining experience with press releases, the basics of grant writing, letters soliciting contributions, and stories appropriate for newsletters and public relations purposes. Application of this “real-life” writing comes when W426 students receive assignments from university units such as the University College and the School of Liberal Arts and fulfill them for inclusion in university publications. PUL=3

• ENG-W 490 Writing Seminar (3 cr.) Emphasizes a single aspect or a selected topic of composition and the writing of nonfiction prose. PUL varies with topic.

• ENG-W 320 Advanced Writing in the Arts and Sciences (3 cr.) Features scholarly readings on various interdisciplinary topics and examines how writers in the humanities, social sciences, and natural sciences define problems, investigate these problems, and report their findings. Focuses on the study and practice of knowledge-making in different discourse communities with particular attention to the student's major discipline. PUL=3

• ENG-W 262 Style and voice for Writers (3 cr.)

  Voice pulls readers into a writer’s world, the "sound" of that writer’s voice "speaking" to readers. This course focuses on recognizing, developing, and sharpening your written voice. But how do you recognize that voice? What are its characteristics? How do you challenge yourself to experiment with language? How do you adapt to the plethora of writing you do as a student, in the workplace, or on your own, while maintaining the unique stamp that is your own? This course examines  a variety of published authors’ works, identifying the stylistic choices that shaped those works, thereby building awareness of the variety of stylistic choices available to you as a writer. You will apply that awareness to your own writing, and examine the decision making processes that equip you to "voice" your ideas in vivid and concise language, "speaking" on the page in your unique voice. PUL=4; RISE=R

• ENG-W 407 Creative Writing for Teachers (3 cr.)

  Offers current and future teachers insights into the creative writing process, teaches them to think as writers do, suggests strategies for critiquing creative work, and provides guidance in developing creative writing curriculum PUL=1A

• ENG-W 398 Internship in Writing (1-3 cr.)

• ENG-W 496 Writing Fellows Training Seminar (3 cr.) P: ENG-W 131 and permission of instructor. Internship in University Writing Center. Focuses on the writing of IUPUI students. Emphasis on questioning, strategies, problem solving, and self-analysis. Apply in spring for fall enrollment. PUL=3; RISE=E

• ENG-W 318 Finding your E-Voice (3 cr.) P: ENG W131 This course helps students understand and negotiate the creation of a successful e-voice with academic, personal, and professional applications. Reading, exploration, discussions,activities and practice help students transition from an academic to an "e-voice." Designing and producing a multimedia project meets RISE criteria and further refines developing e-voices.

• ENG-W 312 Writing Biography (3 cr.)

  Students will learn to write about other peoples’ lives, conducting primary and secondary research.  Genres produced may include obituary and profile, and students may have the opportunity to work in archives and write for publication.

• ENG-W 377 Writing for Social Change (3 cr.)

  This course examines how writing is used to promote social change, particularly in the United States. Students apply theoretical perspectives learned in the course to analyze the rhetorical nature of texts associated with organizing and social action and to create their own texts, including texts directed to public officials, the media and organizational texts.

Capstone

• ENG-E 450 Capstone Seminar (3 cr.) This senior capstone integrates students’ undergraduate study through writing and reading projects, faculty and student presentations, and creation of capstone portfolios. Students apply linguistic, literary, and rhetorical knowledge in culminating projects and learning portfolios. The course looks back at accomplishments and forward to postgraduation planning. PUL=3; RISE=Research

Internship

• ENG-E 398 Internship in English (3-6 cr.) P: consent of instructor. A supervised internship in the use of English in a workplace. Apply during semester before desired internship. PUL=3; RISE=Experiential

Programs

English for Academic Purposes (EAP)

International students are placed into appropriate EAP courses according to their scores on the EAP placement test. The EAP Program offers classes for both undergraduate and graduate students. Except for W130 and W131, credits from these courses will not count toward a degree; however, grades awarded will be included in the student’s grade point average. The English for Academic Purposes sequence—G009, G010, G011, and G012—focuses on fundamental language skills. It is designed to improve pronunciation, listening comprehension, and the students’ ability to participate actively and effectively in a range of communication situations, from simple conversation to seminar discussion. Although emphasis is on speaking proficiency in English, basic reading, writing, and study skills are essential components of these courses. Students must complete all other required EAP courses before enrolling in G013 or ENG W131 for EAP students, with the exception of G012, which may be taken simultaneously with those two courses.

• ENG-G 9 Intermediate Aural/Oral Skills for ESL Students (2-4 cr.) C: G010 Intensive practice of basic speaking and pronunciation skills, as well as listening comprehension skills, to develop language proficiency required for study at the university level. Students will make extensive use of multimedia language resources. PUL=1C

• ENG-G 10 ESL for Academic Purposes I (4 cr.) C: G009 This course introduces and reviews basic English grammatical structures; presents basic reading strategies and vocabulary development; provides practice in pronunciation of English consonant and vowel sounds, stress, rhythm, and intonation; and focuses on functional language use and study skills. PUL=1C

• ENG-G 11 ESL for Academic Purposes II (4 cr.) This course provides practice in and clarification of higher-level grammatical structures and development of academic reading skills. The objective is to help non-native speakers of English develop their academic communication skills, primarily in the comprehension, interpretation, and analysis of texts, and their critical thinking skills, including the ability to analyze and synthesize readings. Students will be provided opportunities to use and practice their grammar and reading skills in written assignments, which include responses to and analyses of readings and journals used as models for academic writing. PUL=1B

• ENG-G 12 Listening and Speaking for Academic Purposes II (3 cr.) This course focuses on developing speaking and listening skills that are essential to academic life, encouraging participation in group discussion, improvement in presentation strategies, and development of questioning and answering skills. It provides community involvement to help students better understand American culture and language use. Reading skills, vocabulary development, oral communication and presentation skills for the academic context are emphasized. PUL=1B

• ENG-G 13 Reading and Writing for Academic Purposes (3 cr.) This course is designed for graduate ESL students. Its purpose is to develop reading comprehension skills through the use of academic subject area materials and to teach the writing skills necessary to complete academic work. Assignments are completed using materials from the students academic disciplines. PUL=1A

• ENG-G 15 Pronunciation Skills (1 cr.) This course focuses on American English pronunciation and stresses active learner involvement in small groups and self-tutorials. Practice in a contextualized format includes drills and multimedia listening and speaking activities. Classwork emphasizes stress and intonation patterns and vowel and consonant production. Individualized instruction focusing on specific needs is a component of the course. PUL=1C

• ENG-G 20 Communication Skills for Graduate Students and International Teaching Assistants (3 cr.) This course for graduate International Teaching Assistants provides instruction on basic teaching strategies and helps students develop the oral language skills necessary to present academic materials in English to a student audience. Pronunciation, listening comprehension, and classroom interaction skills are practiced. Regular conferences focus on individual pronunciation needs. PUL=1C

• ENG-G 410 Introduction to Legal English (1 cr.) An intensive, integrated academic language skills course addressing the linguistic demands of legal study in the U.S. Focuses on reading, writing, listening, and speaking skills. PUL=1A

• ENG-G 411 Legal English I (3 cr.) An integrated language skills course focusing on (1) grammatical structures, reading strategies, and writing structures required to understand legal texts and material; and (2) listening and speaking skills needed for the law school classroom. PUL=1A

• ENG-G 412 Legal English II (3 cr.) An integrated language skills course that focuses primarily on the advanced study of academic legal writing, including editing skills. PUL=1A

• ENG-W 131 Reading, Writing, and Inquiry (3 cr.) P: P: W001 (with a grade of C or higher) or placement. W131 teaches skills of critical reading, thinking, and writing to help students meaningfully engage artifacts, events, and issues in our world. The course builds students' abilities to read written and cultural texts critically; to analyze those texts in ways that engage both students' own experiences and the perspectives of others; and to write about those texts for a range of audiences and purposes as a means of participating in broader conversations. Assignments emphasize the analysis and synthesis of sources in making and developing claims.  PUL=1A

• ENG-W 130 Principles of Composition (3 cr.) Practice in writing papers for a variety of purposes and audiences, with attention to reading/writing connections.  PUL=1A

Writing Program

The School of Liberal Arts requires English W131 or W140, and W132, W150, W231, W250, or W270 for graduation for the B.A. degree. Students generally fulfill the first level requirement by using Guided Self-placement into W131, W130-W131 (Stretch) or W140 (Honors). Beginning in Spring 2014, W132 will no longer be offered, and W270 will replace it. Contact the Writing Program at (317) 274-3824 or see the Web site (writing.iupui.edu) for questions about placement.

• ENG-W 130 Principles of Composition (3 cr.) Practice in writing papers for a variety of purposes and audiences, with attention to reading/writing connections. PUL=1A

• ENG-W 131 Reading, Writing, And Inquiry (3 cr.) P: W001 (with a grade of C or higher) or placement.

  W131 teaches skills of critical reading, thinking, and writing to help students meaningfully engage artifacts, events, and issues in our world. The course builds students' abilities to read written and cultural texts critically; to analyze those texts in ways that engage both students' own experiences and the perspectives of others; and to write about those texts for a range of audiences and purposes as a means of participating in broader conversations. Assignments emphasize the analysis and synthesis of sources in making and developing claims.  PUL=1A

• ENG-W 250 Writing in Context (3 cr.) P: W131 or W140 (with a grade of C or higher).

   Topics vary but course will focus on writing in various civic, cultural, and academic contexts.  Course will fulfill second-year writing requirement for some programs.  PUL=2

• ENG-W 140 Elementary Composition/Honors (3 cr.) Offers an introductory writing course for advanced freshman writers. Requirements, including number and type of assignments, are parallel to W131. W140 offers greater intensity of discussion and response to writing. Evaluation is based on portfolios of the students’ work. PUL=1A

• ENG-W 231 Professional Writing Skills (3 cr.) P: W131 (with a grade of C or higher). Focuses on expository writing for the student whose career requires preparation of reports, proposals, and analytical papers. Emphasis on clear and direct objective writing and on investigation of an original topic written in report form, including a primary research project. Evaluation is based on student projects. PUL=2; RISE=E

• ENG-W 270 Argumentative Writing (3 cr.) P: W131 or W140 (with a grade of C or higher).

   Offers instruction and practice in writing argumentative essays about complicated and controversial issues. The course focuses on strategies for identifying issues, assessing claims, locating evidence, deciding on a position, and writing papers with clear assertions and convincing arguments. PUL=2

Graduate

Masters Degree and Certificate Courses

• ENG-L 501 Professional Scholarship in Literature (4 cr.) Materials, tools, and methods of research. Includes work with standard bibliographical sources (both traditional and electronic), bibliographical search strategies, scholarly documentation, accessing special collections, and preparing bibliographical descriptions of subject texts. Historical case studies reinforce coverage of professional standards of conduct, verification of sources, and thoroughness of research methodology.

• ENG-L 590 Internship in English (4-8 cr.) A supervised internship in the uses of language in the workplace. (For prospective teachers, the workplace may be a class.) Each intern will be assigned a problem or new task and will develop the methods for solving the problem or completing the task. Interns will complete a portfolio of workplace writing and self-evaluation; they will also be visited by a faculty coordinator and evaluated in writing by their on-site supervisors.

• ENG-G 500 Introduction to the English Language (4 cr.) An introduction to English linguistics, the course covers the principal areas of linguistic inquiry into the English language: sounds (phonetics and phonology), words, (morphology), sentences (syntax), and meaning (semantics). G500 is the core linguistics course in the M.A. program.

• LING-L 532 Second-Language Acquisition (3 cr.) An introduction to a broad range of issues in the field of second-language acquisition, providing the student with an overview of the most important approaches to the fundamental question of how people learn a second language. Provides students with basic knowledge of theories of second-language acquisition and an understanding of how theoretical perspectives inform practical application.

• ENG-L 506 Introduction to Methods of Criticism and Research (4 cr.) An examination of the importance of the notion of the text for contemporary literary theory. L506 is the core literature course

• LING-L 534 Linguistic Resources for TESOL (3 cr.) The course examines recent theories of teaching English as a second or foreign language. Students will get a chance to examine theories and methods and develop knowledge of linguistic resources available to new and/or practicing teachers.

• ENG-L 553 Studies in Literature (4 cr.) Emphasis on thematic, analytic, and generic study. With consent of instructor, may be repeated once for credit.

• ENG-L 560 Literary Studies in England and Scotland (4 cr.) Provides on-site opportunities in England and Scotland to explore the literary landscapes of British authors in relation to the English and Scottish school systems. Designed primarily for education majors and continuing certification credits.

• LING-L 535 TESOL Practicum (3 cr.) Students will be able to put into practice methods and principles of linguistics, second-language acquisition, and language teaching. Under supervision, they will teach ESL classes either at IUPUI or in a local school system.

• ENG-L 573 Interdisciplinary Approaches to English and American Literature (3 cr.) Social, political, and psychological studies in English and American literature. Topics may vary and include, for example, literature and colonialism, literature and psychoanalysis, or literature and gender. May also include other world literatures.

• ENG-L 606 Topics in African American Literature (4 cr.) Focuses on a particular genre, time period, or theme of African American literature. Examples: twentieth-century African American women’s novels, black male identity in literature, kinship in African American literature, and African American autobiography. May be repeated twice for credit with different focuses.

• LING-G 541 Materials Preparation for ESL Instruction (4 cr.) Students will learn about materials preparation, syllabus design, and test preparation by applying a variety of theories to books and other teaching devices (e.g., tapes, videotapes, computer and software programs) in order to evaluate their usefulness and will learn to evaluate ESL materials for adequacy.

• ENG-L 625 Shakespeare (4 cr.) Critical analysis of selected tragedies, comedies, history plays, and poetry.

• LING-G 625 Introduction to Text Linguistics/Discourse Analysis (4 cr.) This course introduces students to current approaches to text and discourse coherence, including recent theories of cognitive and interactional text modeling.

• ENG-L 645 English Fiction, 1800-1900 (4 cr.) Intensive historical and critical study of nineteenth-century prose fiction, especially the novel.

• LING-G 652 English Language Sociolinguistics (4 cr.) This course investigates sociocultural aspects of language use and explores the relationships between language and society. The course provides background in various theoretical and methodological approaches to sociolinguistics. Other topics to be covered include gender and language, ethnicity and language, social factors in language acquisition, and bilingualism. Familiarity with basic issues and concepts in linguistics would be useful.

• ENG-L 655 American Literature since 1900 (4 cr.) Intensive historical and critical study of all genres from the time of Theodore Dreiser to the present.

• LING-T 600 Topics in TESOL and Applied Linguistics (3 cr.) Topics in this course vary, but they include the theory and teaching of English for Specific Purposes in academic, professional, or vocational fields.

• ENG-L 678 Literature and Medicine (3 cr.) This course explores the medical world in literature and the arts, in popular culture, and through the institution of the hospital.

• LING-T 660 Contrastive Discourse: Readings in Linguistics (3 cr.) This course examines contrastive discourse/intercultural rhetoric and considers the cross-cultural aspects of discourse organization from both the reader’s and the writer’s viewpoints. Comparisons of text organization in different genres and for different audiences will be made, studying the roles of cultural forms and schemata in the interaction between writer and reader.

• LING-T 690 Advanced Readings in TESOL and Applied Linguistics (1-4 cr.) Topics in this course vary, but they include the theory and teaching of English for Specific Purposes in academic, professional, or vocational fields; the teaching of second-language writing, reading, listening/speaking, and grammar; and second-language testing and assessment.

• ENG-L 680 Special Topics in Literary Study and Theory (4 cr.) Reading in sociological, political, psychological, and other approaches to literature.

• ENG-W 509 Introduction to Writing and Literacy Studies (4 cr.) This is the core course in the writing and literacy track of the English master's program. Students will read, analyze, discuss, and write about key issues in writing and literacy, laying a foundation for further study. Special emphasis will be placed on research methods in this field.

• ENG-L 681 Genre Studies (4 cr.) A variable-title course, Genre Studies examines the specific characteristics of individual genres. May be repeated once for credit.

• ENG-L 695 Individual Readings in English (1-4 cr.) Enables students to work on a reading project that they initiate, plan, and complete under the direction of an English department faculty member. Credit hours depend on scope of project.

• ENG-L 699 M.A. Thesis (4 cr.) M.A. Thesis.

• ENG-W 511 Writing Fiction (4 cr.) A graduate-level fiction writing workshop. Seminar study of advanced techniques in the writing of fiction, both short stories and the novel. Workshop discussion of advanced student work in progress.

• ENG-W 513 Writing Poetry (4 cr.) W513 offers graduate students an intensive experience in reading and writing poetry. Part workshop and part seminar in poetic practice and technique, W513 provides an opportunity for graduate students to expand their poetic range and hone their craft.

• ENG-W 532 Managing Document Quality (4 cr.) This course will examine and apply principles of planning, researching audience and content, designing publications, drafting, obtaining reviews, conducting user testing, and negotiating within organizational cultures in order to produce effective technical and professional documents.

• ENG-W 600 Topics in Rhetoric and Composition (1-4 cr.) Topics will vary each time this course is offered. A four credit course would meet 3.5 hours per week and involve significant reading over the course fo the semester (4 books and 10 articles). Students would ordinarily be expected to produce a significant researched project (20-25 pages) at the end of the semester in addition to some shorter informal writing during the semester. A one credit course would meet for 2 hours every other week. Students would be expected to complete significant reading (perhaps 2 books and 7-10 articles over the course of the semester). Writing requirements for a one credit course would be less than a four credit offering; students might keep a regular reading response journal (up to 10 pages/month, informal writing)and produce a shorter researched project at the end of the course (10 pages).

• ENG-W 609 Directed Writing Projects (1-4 cr.) Individual creative or critical writing projects negociated with the professor who agrees to offer tutorial assistance. Credit hours will vary according to the scope of the project.

• ENG-W 697 Independent Study in Writing 1 (3 cr.)

• ENG-W 500 Teaching Writing: Issues and Approaches (4 cr.) This course looks at one of the mainstays of teaching writing—the process of writing—and the issues that arise in writing classrooms as well as the approaches that have been used to resolve such issues.

• ENG-W 508 Creative Writing for Teachers (4 cr.)

  Giving students a deeper understanding of the creative process and teaching them to think and talk about writing as writers do, this course offers strategies for critiquing creative work and provides guidance in developing creative writing curriculum suited to their classroom needs.

• ENG-W 510 Computers and Composition (4 cr.)

  This course explores the technological theories that shape writing instruction at the secondary and post-secondary level.

• ENG-W 525 Research Approaches for Technical and Professional Writing (4 cr.)

  Students focus on how to learn about content, audiences in their situations, and document design in order to produce high quality publications.

• ENG-W 531 Designing and Editing Visual Technical Communication (4 cr.)

  Students learn principles of designing publications that communicate both visually and verbally.

• ENG-W 590 Teaching Writing: Theories and Applications (4 cr.) Drawing on current scholarship and relevant statements from the rhetorical tradition, this course examines theoretical assumptions in the design of classroom practices.

• ENG-W 605 Writing Project Summer Institute (3-6 cr.)

  Invites teachers from K-university to consider major issues involved in the teaching of writing and to explore the pedagogical approaches inherent in these issues.  Follows the National Writing Project philosophy, which believes that teachers of writing must be writers themselves.

• ENG-W 615 Graduate Creative Nonfiction Writing (4 cr.)

  An advanced course in the theory and practice of creative nonfiction writing with particular emphasis on the familiar or personal essay.

• ENG-L 503 Teaching of Lit in College (2-4 cr.)

  This course introduces graduate students to the practical and theoretical issues involved in teaching literature at the college level.  We will learn to set teaching objectives, organize a course, and construct a syllabus.  We will review theories on how readers make sense of texts and how reading literature differs from other kinds of reading.  We will explore several different approaches to teaching literature, including lecture, discussion, workshop, and online teaching.  Recognizing that each genre presents its own pedagogical challenges, we will discuss strategies appropriate to teaching fiction, poetry, and drama.  Although the course focuses on teaching literature at the college level, many of the strategies we will discuss are applicable to high-school teaching.

• ENG-L 508 Practicum on Teaching Literature in College (2-4 cr.)

  Topics include syllabus construction, lecture and discussion techniques, use and evaluation of written work. Offered in two formats: as a practicum in course and syllabus design for a future undergraduate course; or as a practicum for AIs running concurrently with the related undergraduate course. 

• ENG-L 641 English Literature 1790-1900 (4 cr.)

  The course will explore the nexus between English literature, history, and print culture from the late sixteenth- to the early seventeenth century, using as our starting point England’s unexpected (yet, perhaps, divinely inspired!) victory over the Spanish Armada in 1588—the event that established England as a naval, military, and commercial power on par with continental Europe.  From this triumphant moment, we will follow the nation through several succession crises, religious controversies, economic turmoil, struggles over theatrical and print censorship, and violently contested debates about the nature of Kingship itself, all of which led to a Civil War, the closing of the public theaters, the beheading of Charles I, and the eventual Restoration of the monarchy after an uncomfortable period of Parliamentarian and Protectorate rule.

• ENG-L 643 Readings in Colonial and Postcolonial Literatures (4 cr.)

  Study of literature within the historical, cultural and political context of European colonialism and anti- or post-colonial resistance. Topics might include the role of literature in the formation of nations and national consciousness, literatures of particular nations, or postcolonial theory.

• ENG-L 657 Readings in Literature and Critical Thinking (4 cr.)

  Study of major movements, figures, or topics in literary and/or critical theory.  

• ENG-L 666 Survey of Children's Literature (3-4 cr.)

  In this course, we will address the question of how transhistorical trends in children’s literature reflect changing cultural views on children as intellectuals and consumers. We will work toward answering this question by first studying a variety of theoretical approaches to defining the child as a subject, and also by reading Lewis Carroll’s Alice in Wonderland and J.M. Barrie’s Peter Pan in order to establish a baseline for the historical treatment of the child as reader and subject.  In light of critical debates stemming from these cornerstones of children’s literature, we will then move on to a study of contemporary authors who adapt traditional themes and storytelling structures in order to re-present issues such as freedom of speech, immigration, racial and gender politics, and environmentalism to child readers.