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Drawing

  • HER-D 201 Drawing III (3 cr.) P: HER-D 101 and HER-D 102; Herron Undergraduate. Investigation of nature and the human figure through drawing. Emphasis on structure, line, gesture, and movement.
  • HER-D 202 Drawing IV (3 cr.) P: HER-D 201 and Herron Undergraduate. Investigation of nature and the human figure through drawing. Emphasis on structure, line, gesture, and movement.
  • HER-D 230 Figure Drawing (3 cr.) P: HER-D 101 and HER-D 102; Herron Undergraduate. Students draw in a variety of media directly from the live model.
  • HER-D 301 Drawing V (3 cr.) P: HER-D 201 and HER-D 202; Herron Undergraduate. Investigation of traditional and nontraditional elements of space in drawing. Emphasis placed on conceptual development and on drawing as an exploratory process and a means of producing finished works of art.
  • HER-D 302 Drawing VI (3 cr.) P: HER-D 301; Herron Undergraduate. Investigation of traditional and nontraditional elements of space in drawing. Emphasis placed on conceptual development and on drawing as an exploratory process and a means of producing finished works of art.
  • HER-D 401 Drawing VII (3 cr.) P: HER-D 301 and HER-D 302; Herron Undergraduate. Concerned solely with conceptual and technical capabilities in drawing necessary to satisfy the student's individual expressive needs. A primary aim of the course is to refine and extend analytical and verbal skills by means of participation in regularly scheduled open class critiques.
  • HER-D 402 Drawing VIII (3 cr.) P: HER-D 401; Herron Undergraduate. Concerned solely with conceptual and technical capabilities in drawing necessary to satisfy the student's individual expressive needs. A primary aim of the course is to refine and extend analytical and verbal skills by means of participation in regularly scheduled open class critiques.
  • HER-D 251 Anatomy for Artists (3 cr.) P: HER-D 101 and HER-D 102; Herron Undergraduate. This studio class focuses on the study of human anatomy and its function in the fine arts. Course work includes lectures and study of skeletal and muscular structure of the body and is supplemented by drawings from anatomical and live models to examine the surface form of the body and its relationship to artistic anatomy. Accurate observation and recording of individual and cooperative bone and muscle structures of the human form are emphasized.
  • HER-D 303 Drawing/Illustration-Digital Rendering (3 cr.) P: HER-D 101 and HER-D 102; Herron Undergraduate. Digital Rendering addresses a range of theories in studio practice for representation and interpretation in contextual frameworks. It provides expertise in digital art programing as artistic tools in expressing unique style, content, enabling the use of drawing tablets and navigating various software interface to understand capabilities, limitations, and artistic value.
  • HER-D 304 Drawing/Illustration-Narrative Imagery (3 cr.) P: HER-A 205 and HER-A 206; Herron Undergraduate. This course deals with broad range of theories to advance studio practice in narrative storytelling, providing meaning through imagery. It offers a sophisticated value addition approach to visual expression in figure drawing advancing knowledge of working with multiple interconnected layers of meaning via organization of parts to the whole.